it's only hope that springs eternal

prettycolors:

#98fbd5

prettycolors:

#98fbd5

rachellevit:

Only In My Dreams is a zine I made in collaboration with one of my dearest and most talented friends John Garcia. It was risographed with two inks in a fancy tabloid size paper. We each worked on a spread , and for the cover i sent him a drawing that he manipulated. 
feel free to email me for more info rachel@rachellevit.com

(via kingc-ity)

blastedheath:

Léon Spilliaert (Belgian, 1881-1946), Maisons à l’orée du bois [Houses on the edge of the wood], 1935. Watercolour, 50 x 65 cm.
via amare-habeo

blastedheath:

Léon Spilliaert (Belgian, 1881-1946), Maisons à l’orée du bois [Houses on the edge of the wood], 1935. Watercolour, 50 x 65 cm.

via amare-habeo

softwaring:

Alpstein Mountains in the morning Alpglow, Switzerland;

Dominik Baer

(via kingc-ity)

prettycolors:

#37582c

prettycolors:

#37582c

shakypigment:

Thomas Moran, The Chasm of the Colorado.

shakypigment:

Thomas Moran, The Chasm of the Colorado.

(via blastedheath)

prettycolors:

#5ca371

prettycolors:

#5ca371


Photo of merging oceans by Kent Smith taken during an Alaskan cruise. The two bodies of water merge in the middle of the Alaskan gulf and foam develops only at their junction. Different salt percentages within the waters causes different densities, resulting in a difficulty to mix, similar to oil and water.
furything:

wildflowers

“I took a deep breath of you and now I’m going to try and hold it as long as I can.”

—   Jonathan Carroll  (via h-o-r-n-g-r-y)

(Source: browndresswithwhitedots, via badtexter)

(Source: japotecture, via abattoir-blues)

Radiohead - Reckoner
Reckoner, you can’t take it with you.
Dancing for your pleasure.

You are not to blame for bittersweet distractors.
Dare not speak its name, dedicated to all human beings.

Because we separate like ripples on a blank shore, in rainbows.

Reckoner, take me with you.

(Source: amnesiac618, via abattoir-blues)